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The Urban Mystique by Josh Stephens
The Urban Mystique by Josh Stephens







The Urban Mystique by Josh Stephens

“It was described by the federal government as hopelessly heterogeneous.

The Urban Mystique by Josh Stephens

In others, city planners were choosing the path of least resistance or trying to get rid of so-called “blighted neighborhoods.”īoyle Heights, for example, was redlined by banks and home insurance providers because its mix of races was considered unsafe. UCLA professor Eric Avila says some city transportation planners, especially in the Southern US, were motivated by white supremacy. The 105 freeway, completed in 1993, was routed from El Segundo to Norwalk. New freeway construction in Southern California is rare, but lower income communities of color continue to be impacted. “In the vast majority of those cases, those suburbs were essentially earmarked for white, upwardly mobile families,” says Josh Stephens, author of “The Urban Mystique.” The freeways also enabled white flight from the city to suburbs in the San Gabriel Valley, Orange County, and later the Inland Empire. It was a thriving, ethnically mixed neighborhood. The colossal intersection of the 5, the 10, the 101 and the 60 freeways destroyed Boyle Heights. Many ended up leaving the Pico neighborhood for Miracle Mile, Baldwin Hills, Leimert Park, and the Pacoima area. This affected thriving Black communities, including the Pico neighborhood in Santa Monica and the Sugar Hill area in West Adams.Īlison Rose Jefferson, a historian researching Santa Monica’s Black community, says people tried to fight the freeway construction but did not have the political clout. It split the affluent northern parts of the LA basin from some of the economically struggling Black areas of South LA. When construction of the Interstate Highway System began in the 1950s, white-dominated municipalities nationwide often routed freeways through communities of color or as a divider between Black and white neighborhoods. While Los Angeles does not feature statues of slave traders or Confederate generals, there are less obvious monuments to structural racism.









The Urban Mystique by Josh Stephens